My work sits at the intersection of journalism, documentary filmmaking, and strategic communications — shaped by over fifteen years working in complex international environments, usually with a camera close by. I create emotive, visually driven narratives that make complicated issues feel immediate, relatable, and real.
By taking complex field data and stripping it down to its rawest human hook, we designed a high-impact narrative asset that achieved premier distribution while keeping the institutional brand authoritative and visually consistent.
An immersive, multi-screen environmental narrative designed for world leaders, monarchs, and high-stakes funders. By precisely pacing the cinematic timeline with physical stage transitions, lighting cues, and live speeches, we transformed a formal ceremony into a unified, high-impact physical and emotional experience.
A multi-country body of work humanising the fight against HIV — balancing cinematic ambition with strict brand trust parameters to deliver emotionally resonant, distribution-ready advocacy assets across South Africa, Lesotho, and beyond.
A custom-built physical classroom installation integrated with 360° VR cinematic narratives. Designed to transport corporate stakeholders from a Las Vegas convention floor directly into a Kenyan classroom — proving how hardware-software integration and spatial cinema can bridge geographic divides to drive physical presence and empathy.
Orchestrating the first public-facing integration of generative AI voiceover pipelines (ElevenLabs) within a global institution. A case study for scalable, rapid-prototyping audio workflow — proving how to safely deploy advanced synthetic tools to lock down film pacing and rhythm while strictly maintaining editorial integrity.
By rejecting paper transcripts and scripting directly within the editing timeline, I treat raw footage as literal design material. This methodology allows camera texture, ambient micro-moments, and natural vocal cadences to dictate the final concept — ensuring the output always delivers unmanufactured emotion.